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Italic

Italic

Univers, extract from Manuel Typographique, by Fournier le Jeune, 1766, as displayed in De Plomb, d’Encre et de Lumière, Essai sur la typographie & la communication écrite, C. Peignot and G. Bonnin, French National Printing Office (Imprimerie Nationale), 1982

DESCRIPTION

Two construction styles are possible for the same weight in a Latin script typeface: Roman (or upright) and Italic. Italics have slanted letterforms, with more or less obvious influence from handwritten letter structure (connected letters) and shapes (softer starts and endings). In general, italic letters also have a slightly narrower width than their Roman companion.

For italic styles to be visually linked to the roman version, they have to be related to each other (similar weight, height, etc.). However, they also need to be different enough so the reader can easily identify one from the other. Managing a good balance between differentiation and similarity is part of the typeface designer’s expertise to design a “nice couple”.

HISTORY

The use of roman and italic styles as we do today started with the early printers of the 15th century, who used both styles for various applications to convey different impressions (emphasis, comments, etc.). During the Renaissance in Europe, when the Humanist movement came into popularity, revivals of handwritten calligraphic styles such as Carolingian Minuscule (all lowercase letters) and Roman capital letters carved on monuments (Capitalis Monumentalis) became most prominent due to their close relationship with ‘natural’ movements from the human hand.
While both roman (upright, interrupted) and italic (slanted, connected) styles were being used, the differentiation between them increased and ended up becoming two independent styles used for different purposes, which we are familiar with today. They also got their different names since that era, with ’Roman’ for the Roman alphabet which the handwriting takes inspiration from first, and ‘Italic’ came from the English writers who named the style of connected letters after the area where they knew it came from.

USE IN TYPOGRAPHY

Italic styles are mainly used in texts as a functional companion to the Roman in a typeface family. They are used when a part of a sentence or word needs to be emphasized from the rest, as with work titles, words in a different language, or words that need to be highlighted.

Not every writing system uses or even has Italic styles like in the Latin script. Instead, other scripts use different ways to achieve the same purpose of emphasis (use a different weight or specific punctuation).

Notes

BOOK REFERENCE

Italic, What gives Typography its emphasis, Hendrik Weber, niggli Verlag, 2021.